改编剧本

简介：影片是一部极具东北喜剧风格元素的爆笑大戏,在幽默直接的喜剧语言表达下,立体的刻画出小人物在面对命运挫折时的无奈与妥协。

简介：四年前妻子离世后，家庭教育专栏作家丹•伯恩斯（史蒂夫•卡瑞尔 饰）独立抚养教育三个女儿。虽然他专职为父母们排忧解难，但是面对自己苦闷封闭的现实生活、孩子的成长问题，却束手无策。　　为了缓解人生危机，丹带着全家回乡，盼望能够找到新的生活方向。不料事与愿违，唠叨的父母和爱嘲弄的亲戚让他更为郁闷；而在书店里偶遇的玛丽（朱丽叶特•比诺什 饰）让他重见阳光；可是意想不到的是玛丽竟然是弟弟米奇（戴恩•库克 饰）的女朋友……亲情。爱情不如意的丹，是选择向生活妥协，还是会勇于冲破障碍追求美好未来？

简介：本片根据曾在亚特兰大、悉尼、雅典以及北京等多届残奥会上获得多枚个人、团体金牌的，被誉为港版“阿甘”的香港运动员苏桦伟的真人真事改编，成年后的苏桦伟一角由他本人饰演。苏桦伟自小患有眼黄疸病，成长中又罹患弱听、痉挛症等病，大脑与手脚极难协调，父（张国柱）、母（潘虹）很是担心他的未来，但他十分热爱跑步。十岁时，苏桦伟遇到义务执教香港残疾田径运动员的潘健吕，命运得以改变。他实现自我飞跃的背后，有正常人难以想象和付出的艰辛。©豆瓣

简介：一心想要修习崂山道法的轻狂少年王生，在众人的质疑之下执意踏上问道之旅。经历几番波折，终获高人指点与同门伙伴的支持。在解开身世之谜、坚定本心后，王生终于开悟。他决定用属于自己的方式，对抗妖道玄真！

简介：一把沉默失声的老枪，一场忍无可忍的厮杀。　　射击运动员顾学兵（祖峰 饰）因故退役，成为工厂保卫科一名普通的干事，发现同事监守自盗的他，在试图阻止时却发现爱慕对象金雨佳（秦海璐 饰）的儿子耿晓军（周政杰 饰）也牵涉其中。随着盗窃事件中突发的一场意外坠亡，深埋的罪恶浮出水面，所有人都被裹挟其中，一场避无可避的爆发即将到来。

简介：剧情简介暂缺，敬请期待

简介：雷达（尼古拉斯·卡萨雷 Nicolas Cazalé 饰）的父亲（Mohamed Majd 饰）是一位非常虔诚的穆斯林，当他觉得自己大限将到命不久矣之时，决定完成身为一名穆斯林的毕生梦想——前往圣地麦加朝圣。本来父亲的打算是让雷达的哥哥开车载他去麦加，可不巧的是，他的大儿子因为一场交通意外而被吊销了驾驶执照无法上路行驶。无奈之下，父亲只得找到小儿子雷达，命令他成为司机。　　只有20岁的雷达即将面临学校的会考，与此同时，他还有一个正在热恋的如花似玉的女朋友。面对父亲强势的命令，雷达虽然心里百般的不情愿，却也只能顺从。一路上，父子两人之间爆发了无数次战争。

简介：这部影片讲的是幼儿园园长如何引导三个惯犯走上正道的故事。事有凑巧，可爱的特罗什金与危险的窃贼多岑特长得就像一对孪生兄弟。警方让其深入多岑特犯罪团伙，打探他们藏匿赃物的处所。但越狱了的真多岑特令事情节外生枝。将这部电影归入新年喜剧是因为，逃犯承认其生活方式不对这一最感人的情节恰好发生在辞旧迎新之际。《幸运先生》不仅仅是一部新年喜剧，事实上这部影片被视为最好的苏联电影之一。没有确切的统计数字，但主观感觉这部电影是苏联电影中产生名言名句最多的一部，粗略估算就有一百五十多句。莫斯科电影制片厂对面建了一尊叶甫根尼·列昂诺夫（Evgeniy Leonov）饰演多岑特一角的纪念铜像。俄罗斯几乎没人认不出这位著名演员和铜像上电影情节中的人物。有趣的是，有关部门曾因这部电影中有大量监狱俚语而不敢将其搬上银幕，最后还是（苏共总书记）列昂尼德·勃列日涅夫（Leonid Brezhnev）亲自拍板才使这部影片得以上映。

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：剧情简介暂缺，敬请期待

简介：对生活绝望的男主人公安东尼想要在地铁卧轨自杀时遇见了同样想自杀女主人公蕾恩。 阴差阳错， 两人都未自杀成功。蕾恩因自杀未遂怪罪于安东尼，并坚决要求跟着安东尼回家，直到她有勇气再去自杀。安东尼很厌烦蕾恩，直到有一次安东尼再次去自杀被蕾恩拦住。两人终于打开了心扉，互相倾诉自己的故事。安东尼与她的前妻离婚，他有个可爱的孩子迈克，大部分时间由他抚养。他很爱迈克，有一天因为他的疏忽导致车祸夺走了他儿子的生命。他本想自杀去陪儿子，但最后一刻他退缩了，从此一直活在自责当中。而蕾恩的父母从小就离异。父亲一走了之再也没见过她。她跟着她的母亲生活，但她的母亲却没有尽到母亲的职责。从小在孤僻的环境下长大的蕾恩非常渴望父母的爱和完整的家。后来她追逐自己的演员梦，却悲哀的成为了一个舞娘。她为自己的生活感到悲哀，没有活下去的动力。 两人逐渐互相关心， 扶持，开展新的生活。

简介：该片讲述已经分手的恋人“善花”和“度英”作为电影外景管理人和导演在釜山再次相遇后的故事。