965
4.0

歌厅

导演:
鲍勃·福斯
主演:
丽莎·明奈利,麦克尔·约克,赫尔穆特·格里姆,乔尔·格雷,弗里茨·维伯,马里莎·贝伦森,伊丽莎白·诺伊曼-菲特尔,海伦·维塔,西格丽德·冯·里希特霍芬,格尔德·费斯佩曼,劳夫·沃尔特,Estrongo Nachama,凯瑟琳·多比,Pierre Franckh,Ellen Umlauf
别名:
未知
4.0
965人评分
英语
语言
1972-02-13
上映时间
未知
片长
简介:
20世纪30年代的德国柏林,纳粹势力正在兴起。美国女艺人Sally(丽莎·明奈利 Liza Minnelli 饰)是一家俱乐部的舞女,非常受欢迎。刚刚来到柏林的英国男教师Brian Roberts(麦克尔·约克 Michael York 饰)碰巧成了Sally的室友,他 以教英语来养活自己。Sally诱惑Brian没有成功,于是怀疑他是个男同性恋者。Sally和她的一个朋友Max(赫尔穆特·格里姆 Helmut Griem饰)发生了关系,后来她发现,Robert也和Max发生过关系。另一边,一个犹太人Fritz爱上了Robert学生Natalia,一个有钱的犹太小姐。为了和Natalia在一起,他从一个基督教徒转变成犹太教徒。Sally怀孕了,但她却不知道孩子是Robert还是Max的。纳粹在德国的势力越来越盛,Robert决定带Sally回英国.....  本片被提名1973年奥斯卡十项大奖,最终赢得包括最佳导演、最佳女主角等八项。
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荣耀六十年1938
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主演:Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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