逐爱之旅

简介：脱贫攻坚倒计时之前，乡党委副书记赵琳主动请缨来兼职村第一书记。同时吉吉何斌来到火普村任第一书记，他们从欢喜冤家到相互帮助，最终两村都如期完成脱贫任务，他们的感情也瓜熟蒂落。

简介：生长在大城市贫困区的阿强，因为一场交通意外，不仅失去了妹妹的生命，更衍生出来自贫苦环境的压力而造就的社会问题。（via 第二十届上海电影节市民观影手册）

简介：故事发生在1830年的欧洲，帕格尼尼（大卫·葛瑞特 David Garrett 饰）是一位风流成性但极富才华的小提琴演奏家，此时，帕格尼尼正处在职业的巅峰期，在经纪人乌尔巴尼（杰瑞德·哈里斯 Jared Harris 饰）的协助之下，帕格尼尼用自己的音乐征服了整个欧洲。　　然而，个性古板而又保守的伦敦市民们却并不买帕格尼尼的账，于是，乌尔巴尼开始筹备起了帕格尼尼在伦敦的首演计划，为这个计划提供协助的，还有来自英国的经纪人约翰（克里斯蒂安·麦凯 Christian McKay 饰）和他的情妇伊丽莎白（维罗尼卡·费瑞尔 Veronica Ferres 饰）。一场意外让帕格尼尼不得不寄宿在约翰家中，在这里，帕格尼尼的“老毛病”发作了。

简介：一名有志钢琴家在毕业独奏会临场僵住后，只得铤而走险，赌上前程。

简介：一篇报道，牵出十多年前文物走私大案，引来团伙头目石凯（周雨铭 饰）的疯狂报 复。十年前警察陆建平（郝平饰）缘何抚养毫无血缘关系的幼女萱萱，妻子因何走出家门离他而去？如今，身份暴露的陆建平不幸中枪，而他抚养的孤女萱萱（蒋欣悦 饰）也被石凯手下天哥（柴顺天 饰）绑架，命悬一线！岳明（武小渊 饰），是组织安排在其身边暗中调查保护陆的年轻警察，身负特殊使命，他们能否成功救出人质，摧毁石凯犯罪集团，由此陆建平的卧底身份公安刑警杨树明渐渐浮出水面，十几年前的代号“战斧”的行动，究竟藏着多少不为人知的秘密？拷问人性，坚守忠诚，大爱无言，最后的较量由此展开。

简介：故事讲述了农村少年封印，告别了依依不舍的恋人张婷，与发小胖子带着对未知世界的憧憬与渴望来到南京打拼的故事。辗转之中在同乡郭权的介绍下，两人加入水产行业，原本想通过自己的努力大干一番，然而行业里的黑幕、地方势力的打压以及朋友之间的误解却在不断为他们设置障碍。友情、亲情、爱情在利益面前又该如何抉择？在经历重重磨难之后，封印坚守了自己的底线，靠诚信经营赢来了大家的理解和支持，为自己迎来了广阔的市场空间，并带领家乡人一起走上共同富裕的道路。

简介：自小习咏春的妙兰与入序的唐傲育有一子南生。唐傲神秘身份为精武会英雄。唐傲在一次行动中发现洋人偷运国宝中国出境，唐傲寡不敌众，被西洋拳手狠狠打中头部，他连同大唐帝王玉玺跳海逃生。　　与此同时，数名洋人杀手找上妙兰一家。妙兰见状立即带同南生逃亡，到广东郭天的杂货铺找寻丈夫下落。　　头部受到的重击，使唐傲的记忆间歇性消失妙兰，南生到达郭天的杂货铺拿出密函，表明来意。郭天指唐傲是次行动失败，无人知晓唐傲去向。郭天建议妙兰南生暂时住在杂货铺。妙兰没有选择，只好答应。　　郭天计划捣破洋人偷运国宝的行动。行动期间洋人拳手在杂领铺出现捉走南生，震东阻止不到还受了伤。　　又廷妙兰完成任务得知南生被捉。妙兰大惊，要四出寻找儿子。唐傲刚好到达杂货铺，妙兰立即追问唐傲之前发生的事。唐傲未能立刻想起她是谁。妙兰激动差点把唐傲身上玉玺撞倒地上，唐傲情急还手，又廷上前阻止。　　唐傲又廷对打，战斗中唐傲功夫及记忆渐渐恢复。他终能叫出妙兰的名字。二人正式相认，唐傲知道儿子被捉。　　郭天用计叫又廷先救南生，最后南生和妙兰安然无恙，但唐傲生死未卜消失于火海。

简介：赵如蕊和赵如芯是一对姐妹。姐姐如蕊从小就是学霸,并将成为医生。相较下高中生如芯却很平庸,并不被父母老师重视，对姐姐如蕊嫉妒。如芯高考前夕,如蕊在一起车祸中身亡，给一家人巨大的打击。如芯在如蕊的遗物中发现另一部手机，对姐姐的生前感到疑惑。她独自前往姐姐生前所在的大城市……

简介：生活在百忙之中的女强人艾芙琳，丧夫后顿时失依靠，又得知自己罹患绝症，伤心之余，决定好好享受剩余时光，于是，她来到墨西哥渡假，却遇上老来春的洛依德，由于洛生性幽默，与其相处期间糗事一箩筐，给她带来新的转机。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：The proprietor of an ice-skating revue promotes a peanut-vendor at the show to a management position based on suggestions he made to improve the act of the show's star, who also happens to be the owner's wife. However, he soon begins to notice that his new manager is paying more attention to his wife than he believes is appropriate, and begins to suspect that his new manager has designs not only on his wife but on his business. Meanwhile, someone from the new manager's past shows up with information that could wreck his plans.

简介：比利（杰米•贝尔 Jamie Bell 饰）的家人是英国的一个底层矿工。他们参加罢工，挣扎在贫困的生活中，并认为比利应该学些男人的拳术。比利本来每周都去一回拳击班，偶然的机会却让他走上了不一样的路途。　　因为一个小意外，比利发现了潜意识中对芭蕾的热爱，而挑剔世故的芭蕾老师威尔金森（朱丽•沃特斯 Julie Walters 饰）无意中发现了比利极具芭蕾天赋。二人一拍即合，威尔金森甚至放弃她的一班女学生，把全部心思放在培养小比利上。可是比利的家庭全然不理解儿子为何爱上女生的玩意。比利在家庭的反对下，痛苦的抉择。　　然而大好机会就在当前。万一考上伦敦的皇家芭蕾学校，比利的芭蕾梦想将得到一个广阔舞台。比利站在一个十字路口，选择着他的人生。