905
1.0

丽人行1949

导演:
陈鲤庭
主演:
黄宗英,赵丹,上官云珠,沙莉,蓝马
别名:
未知
1.0
905人评分
国语
语言
未知
上映时间
未知
片长
简介:
20世纪40年代,海内外都笼罩在战争的阴影之中,就被奴役和占领的华夏大地更是一片疮痍。善良而美丽的普通上海女工金妹(上官云珠 饰),在回家的路上遭受日寇欺凌。危难时刻她得到爱国青年孟南(周峰 饰)和李新群(黄宗英 饰)的救助。但这一事件给她带来巨大的阴影,金妹被厂方无情解雇,丈夫又遭到流氓毒打失明。苦难的生活逼迫她走向社会的最黑暗角落。另一方面,孟、李二人的朋友梁若英(沙莉 饰)此前与丈夫章玉良(赵丹 饰)离婚,另嫁他人过起养尊处优的太太生活。现在的丈夫投敌叛国,与孟、李他们截然对立,若英也面临重要的选择。  本片根据田汉的同名话剧改编。
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欧洲的某个地方
32
1.0
已完结
欧洲的某个地方
1.0
更新时间:06月29日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
665
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
江湖密令
658
6.0
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江湖密令
6.0
更新时间:06月29日
主演:徐少强,连伟健,雪梨
简介:荒山野岭,少侠白如风在湖边洗完澡在山边行走,没想到恰巧被当今公主见到他衣冠不整的样子。公主叫手下韦金繁教训他,白如风不但武功高强,风趣的语言更令公主另眼相看,对其产生好感。于是,公主女扮男装接触白公子,在赌场见到白公子参与赌博,谁知白如风却赌到一半不见踪影。公主遭人调戏,刚好军兵路过,公主显明身份逃过此劫。白如风为人一向行侠仗义,途中遇到被车家堡追杀的人,拔刀相助,没想到却反遭车家堡追杀。  车家堡堡主主义子车海文利用卑鄙手段,暗中强奸了堡主女儿婉珍,并做出他人所为的假象。尔后向婉珍提亲,堡主觉得车海文是个有情有义之人,答应把女儿嫁给他,却没想到这一切都是车海文的阴谋。江湖到处盛传车家堡诬告朝廷重臣私通敌番,并至其于死地。于是,韦金繁奉当今圣上之命来车家堡调查情况。怎知一路十分凶险,不断遭人袭击,更经历了村庄被车海文夷为平地的一幕,韦金繁虽然心中有数,但却按兵不动。  车家堡堡主的二公子看见车海文成为车家堡的女婿,十分得宠,早已将他视为眼中钉,谋划趁其不备将其除掉。一日,在跟踪车海文的途中二人发生争斗,二公子终因武功不敌,被车海文残忍杀死。尔后,车海文更用阴谋诡计让车家堡主上当,将其杀害。白如风被人骗去车家堡与车海文相见,一进车海文房间就有人大叫有刺客,方知中计即走了出来,寡不敌众最终受伤被神秘人救走。一时间,白如风竟成了杀害车堡主的重要通缉犯。  白如风的妻子小琼更惨遭连累,被车海文折磨得死去活来。还好有婉珍求情,小琼被放了出来,但还是因为伤势过重,死在了白如风的怀中。白如风发誓要为妻子报仇,并和韦金繁联手,打算让车海文受到应有的惩罚。车海文的野心不仅仅只是当上车家堡堡主就满足的,他的最终目的是要谋反,黄袍加身。关键时刻,白如风和韦金繁稳住大局,最终将叛徒绳之于法。
5274
1987
江湖密令
主演:徐少强,连伟健,雪梨
跳出我天地
355
9.0
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跳出我天地
9.0
更新时间:06月29日
主演:杰米·贝尔,朱丽·沃特斯,杰米·德拉文,加里·刘易斯,斯图亚特·韦尔斯,麦克·艾略特,黛比威尔金森,琼·海伍德,查利哈德威克,马修·詹姆斯·托马斯,史蒂芬·曼甘,帕特里克·麦拉海德,芭芭拉·雷吉-亨特,伊莫金·克莱尔,戴安娜·肯特,尼尔瑙兹,李·威廉姆斯,梅丽娜·肯德尔,佐伊·贝尔,梅林欧文,亚当·库柏,亚当加尔布莱斯,莎伦·佩尔西,戴米安温特希金斯
简介:比利(杰米•贝尔 Jamie Bell 饰)的家人是英国的一个底层矿工。他们参加罢工,挣扎在贫困的生活中,并认为比利应该学些男人的拳术。比利本来每周都去一回拳击班,偶然的机会却让他走上了不一样的路途。  因为一个小意外,比利发现了潜意识中对芭蕾的热爱,而挑剔世故的芭蕾老师威尔金森(朱丽•沃特斯 Julie Walters 饰)无意中发现了比利极具芭蕾天赋。二人一拍即合,威尔金森甚至放弃她的一班女学生,把全部心思放在培养小比利上。可是比利的家庭全然不理解儿子为何爱上女生的玩意。比利在家庭的反对下,痛苦的抉择。  然而大好机会就在当前。万一考上伦敦的皇家芭蕾学校,比利的芭蕾梦想将得到一个广阔舞台。比利站在一个十字路口,选择着他的人生。
927
2000
跳出我天地
主演:杰米·贝尔,朱丽·沃特斯,杰米·德拉文,加里·刘易斯,斯图亚特·韦尔斯,麦克·艾略特,黛比威尔金森,琼·海伍德,查利哈德威克,马修·詹姆斯·托马斯,史蒂芬·曼甘,帕特里克·麦拉海德,芭芭拉·雷吉-亨特,伊莫金·克莱尔,戴安娜·肯特,尼尔瑙兹,李·威廉姆斯,梅丽娜·肯德尔,佐伊·贝尔,梅林欧文,亚当·库柏,亚当加尔布莱斯,莎伦·佩尔西,戴米安温特希金斯
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