袁将军的苦茶

简介：15年前，断手少年白添被猎户白家收养，和姐姐白羽一同长大。但少年身上似乎隐藏着秘密，竟自学机关术，通阴阳八卦，连断手也被重铸。一日，欠下赌债的姐姐被仇家追债，姐弟不得已受命于债主尉迟仞，闯入神秘墓室寻宝还债。 三人在古墓中发现了传说中“龙狱天棺”的线索，正要去领赏之时，却遇城中瘟疫，感染者竟会褪壳妖化。所幸，古墓悬赏人告诉他们“龙狱天棺”也和妖化怪物有关，更能找到神秘消失的“天机门”和其遗留的宝藏。悬赏人重金聘请三人为其寻宝，并凭借妖化怪物这唯一的线索找到了“龙

简介：1940年11月27日，香港粤剧界名伶李海泉（梁家辉 饰）于旧金山演出，忽闻太太何爱榆（钟丽缇 饰）临盆。孩子降生，取名李振藩，英文名Bruce Lee。次年，全家返港，李母为婴孩取名细凤。日军

简介：SWORD地区的O，通称漆黑的凶恶高中鬼邪高校。那里分为定时制和全日制，定时制的番长·村山良树(山田裕贵饰)成为支撑着鬼邪高校的头。转学进入鬼邪高校的全日制新生，花冈枫士雄(川村壱马饰)，为了有朝一日能向村山挑战，下定决心夺取全日制的天下。全日制由实力上处于领先 地位的轰（前田公辉饰）和芝（龙饰）、辻（铃木昂秀饰）轰一派、统领两年级的中越（神尾枫珠饰）和一年之隔的中冈（中岛健饰）率领的中冈一派、以残暴的战斗方式闻名的泰志（佐藤流司饰）、清史）率领的泰·清一派、和枫士雄曾经住在同一个地区的司（吉野北人）和其手下的果酱男（福山康平）统领的司一派等　　新一世代各个派迎来了争夺霸权的一大战国时代。　　在SWORD地区的邻镇·户亚留市，除了干部以外全员光头的最强军团，凤仙学园的势力在逐渐增强。在过去被誉为最强凤仙，以头目·上田佐智雄（志尊淳饰）为首，小田島有剑（盐野瑛久饰），泽村正次（葵扬饰），仁川英明（小柳心饰），志田健三（荒井敦史饰）的四个人组成的凤仙四大天王，干部沙巴干（坂口涼太郎饰）们，集齐了最强的阵容。　　这个时候，凤仙的学生突然遭到自称鬼邪高的人的袭击，同时鬼邪高的学生也遭到了自称凤仙的人的袭击。以同伴被袭击这一原因为契机，两校互相敌对，杀气腾腾。　　以枫士雄为首的个性派汇聚一堂，拥有压倒性力量的鬼邪高校，以佐智雄为首组织化的凤仙学园，在黄昏的河滩上相互碰撞的顶峰之间，决战拉开帷幕。

简介：影片改编自他多年前经历的真实事件。特拉沃尔塔在片中饰演一名狂热粉丝，他对偶像(戴文·萨瓦饰)的迷恋几乎摧毁了对方的生活。

简介：《战友》是一部反战题材影片。在严寒的挪威荒野的上空，英德双方的战机在一场激烈的空战中被彼此击落坠毁。在这与世隔绝的地方，他们必须竭尽全力在严寒的冬季生存下来。尽管战争使他们成了敌人，但是随着日子一天天过去，这种敌对状态很难维持。在对彼此的需要中，一种非常规的友谊开始萌芽。最后他们竟成了亲密的战友。无论如何，战争都是荒谬的。

简介：花果山的两只灵猴亲如兄弟，六耳偶遇龙如意，并得到一串佛珠。两人为了寻求保护花果山之法不惜长途跋涉，终于来到天柱，不慎跌落时被龙如意救下，龙如意错把猴吉当六耳，萌发了爱情。 妒火中烧的六耳被蛇妖引诱，杀死老猴，兄弟反目。 在混战中，蛇妖舍身救下六耳。 天庭惩罚不守天规，扰乱秩序的小龙女将其化作定海神针。 猴吉在菩萨教诲下抹去记忆，保护唐僧西天取经，被师父赶走之时，六耳趁虚而入，从而引发了从地上到天宫的真假之辨。

简介：比冰更冷，她的吻仿佛能穿透灵魂……那是1970年代。年轻的让娜逃离了家庭，来到一家电影工作室寻求庇护，在那里，她被《冰雪女王》这部电影中神秘的女主角克里斯蒂娜深深吸引，陷入了克里斯蒂娜那令人着迷的魅力之中。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：在城市的人流里穿梭，各种各样的面孔.在与小艺的一次美丽邂逅中，王典的心从此被俘获。但小艺在一次生气后消失了，让王典陷入深深的苦闷与孤寂之中,他对着鱼缸自言自语，鱼儿竟也像小艺一样掉尾而走………睡梦中、马路上、人群里、河道边，王典品味着无处不在的失落。而此时，小艺躲在自己家里，面对着父母的唠叨劝说甩头而去，她忧郁的内心也在为是否接纳王典徘徊着。　　影片以风格化的视觉影像和富有后现代意味的表述方式将两个青春男女的生活瞬间串起，生动地记录下他们在爱情来临时的忧郁与感伤，展现了青春时代的美丽多姿与淡淡哀愁……

简介：A lonely widower battles his family, ill health and time to win a competition for a golden ticket to space.

简介：抗战时期，山西某边区刘家皎村。村里有两个特殊人物，一个是凡事看黄历的二诸葛（赵子岳 饰），一个是装神弄鬼的三仙姑（周婷 饰）。二诸葛的儿子小二黑（杨建业 饰）是村里的民兵队长，三仙姑的女儿小琴（俞平 饰）是妇救会极积分子。两人青梅竹马，长大后相爱了。他俩的婚事遭到二诸葛的反对，他查过黄历，认为两人命相不合，好吃懒做的三仙姑则认为二黑家太穷，一心想给小琴找个有钱有势的人家。村主任金旺（葛存壮 饰）平日横行乡里，调戏小琴不成怀恨在心，设计陷害小琴和二黑。三仙姑则收了阎匪军官的彩礼，非要小琴嫁给匪军官，小琴宁死不从。区长（李百万 饰）了解内情后，惩治了作恶多端的金旺，批准二黑和小琴结婚......　　本片根据赵树理同名小说改编。

简介：在民国所发生的一切历历在目，但阿逗却不由的怀疑这一切是否真实发生过。　　恍惚中，阿逗决定尝试再一次踏上穿越之旅，而这一次他带上了自己最好的兄弟王大壮。几经周折，二人成功的穿越回到了民国的德清，不远处密密麻麻的人群围着，原来是发生了命案，而德清县在一周之内已经接连发生几桩命案。根据王警长的调查，几位死者之间好像也没有丝毫的联系。阿逗和王大壮了解到的唯一线索，是其中一名死者新任商会秦会长的女儿早已失踪多日，可在这兵荒马乱的年代，这看似唯一的线索却显得普通而又正常。小如听到阿逗回来也闻风而来。阿逗带领着众人，在他所穿越而至的风雨飘摇的年代里，寻找着正义和真相