追踪章鱼保罗

简介：供职于五十岚流浪犬收容所的神崎彰司（堺雅人 饰）是一名真心喜爱动物的善良男子，此前他在动物园供职期间与妻子千夏（檀丽 饰）结合，生下一双可爱的儿女。妻子去世后，彰司转职收容所，虽然尽可能地帮更多狗狗找到新的主人，但仍无奈地一次次按下按钮，终结狗狗的生命。此时此刻， 他心中的悲伤可想而知。某天，彰司和同事遭遇了一只带着幼犬的母狗。母狗凶猛异常，为了保护孩子不惜一切。虽然遭到来自主管的压力，可是彰司无论如何不愿伤害狗狗母子。他想方设法延长收容期，四处奔走联系新的主人，在这一过程中也渐渐与母犬建立了信任。只是，最后一刻终将到来……　　本片根据发生在宫崎县的真实事件改编。

简介：和平镇任务繁重陷入发展困境，新任党委书记曾自强（夏天饰）不忘初心，牢记使命，决意带领人大主席（蒋昌义饰）、镇长熊栋才（臧晋饰）等党委、人大、政府一班人，奋力改革创新，让每个党员都成为一面鲜红的旗帜，每个支部都成为党旗高高飘扬的战斗堡垒……其间，推行人大季会制、双月报告制、周一升旗制惊心动魄，探索困境突围实现形式艰难困苦，甚至不惜付出生命代价。最终，和平镇梦想成真，成为全国制度创新的小典型，小人物莫雄（吕晨饰）实现成长，成为全省先进，还收获了甜蜜的爱情。艰辛的追梦历程，动情的感人故事，相当令人泪目，也让人特别意外。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：日本人氣男星市原隼人確定主演影片《酒店copan》。全片以長野縣白馬村的酒店為舞台，講述了對生活絕望的主人公，不斷摸索生存方式、堅強振作的重生物語。　　市原扮演主人公海人祐介是個因虐待學生被學校開除的中學教師，離開學校之後，海人聽說被虐待的學生自殺了，心懷自責的海人隱姓埋名，逃往酒店copan以酒店服務生的身份開始了新生活。在酒店內，除了海人以外，曾在長野冬奧會時期名聲大噪的酒店老板櫻木，以及永遠一副事不關己樣子的員工由紀與海人一起工作。某天，酒店內來了好多客人，許久沒有遇到這麼多客人的櫻木，計劃在酒店內舉辦一場PARTY來迎接貴賓。但是，有一位客人居然是自殺學生的母親，這令海人再度陷入苦惱之中。　　市原表示“片中生動描繪了人們內心深處隱藏著的難以表達的情感，但人的一生當中，無法逃避的現實多種多樣，借助此片希望讓觀眾產生共鳴。”此外，市原還坦言雖然人生當中會遇到自責之事，但由於這是誰都不想發生的事，因此開誠布公地正視問題、解決問題才是關鍵。　　擔當該片導演的是拍廣告出身、在電影和電視劇領域擔當職業制作人的門馬直人，曾有過拍攝PV、廣告、短篇電影經驗的門馬，該片是他首次執導長篇電影。全片取景長野縣，2013年10月上旬~11月上旬拍攝，目前已經殺青，預計2014年初春制作完成，片方決定將在海外電影節上映。日本上映時間預計在2014年秋-2015年初期間。此外，該片在台灣的上映時間將與日本同步。

简介：物理学家汤川学(福山雅治饰)从美国回到日本，女警内海薰(柴崎幸饰)向他寻求帮助。镇上一个很受欢迎的女孩突然失踪，几年后她的尸体被发现，汤川的同学、高级警探草薙顺平(北村一辉饰)逮捕了一名男性嫌疑人，但该名嫌疑人因警方缺乏证据而被释放。当这个男人回小镇里时，他又出现在了女孩家人面前，向他们挑衅。仇恨的气氛笼罩着整个小镇。 然而，就在秋季节日巡游当天，这个人死了，镇上每个人都有杀人动机，但也有不在场证明。汤川、内海和草薙着手破解这道难题。

简介：故事发生在1900年左右的法国。时髦少女塞莱丝汀从动荡不安的巴黎来到诺曼底当家庭女仆。在兰莱尔一家人的别墅里，她面对的是好色的男主人和他那性冷淡、专横和嫉妒心强的妻子。塞莱丝汀决心避免遭遇厨师玛丽安的悲惨命运——自己结婚生下的孩子死去了，但绝望发现自己又怀上了。这个年轻 的女仆对神秘的男仆约瑟夫的行径感到好奇：他四处分发反犹太传单，并暗示她可以在瑟堡为他从事妓女工作。　　继让•雷诺阿（1946）和路易斯•布鲁诺尔（1964）之后，伯努瓦•雅克再次选择奥克塔夫•米尔博的小说来对资产阶级进行冷嘲热讽。影片以一个竭力保全自己生活的年轻女人为主角，通过其日记的视角，雅克展现了看似无力的力量和似乎有力的无力性。女仆的形象揭开了20世纪早期隐藏的黑暗腹地，也暗示了当今生活的不安定性。

简介：剧情简介暂缺，敬请期待

简介：该剧以真实事件为基础，分为两个时间段，讲述了导致谋杀和审判的事件。雷(巴勒特饰)和他23岁的弟弟内森(塔皮饰)在刺伤母亲的伴侣后被捕。无论什么情况下导致孩子杀人，法律是明确的刑事责任的年龄是10岁，12岁时，雷必须在成人法庭接受审判。　　搬到他母亲维罗妮卡的家和他23岁的哥哥内森在一起，雷目睹了一场争吵，升级为他母亲的伴侣斯科特对他的兄弟进行的暴力斧头攻击。　　虽然被逮捕和审判，斯科特被无罪释放，并很快返回住在家里。家庭生活开始恶化，内森变得孤僻，不关心自己的健康和外表，而雷越来越承担起照顾的角色——为了内森，为了他的母亲，为了他的兄弟姐妹，维罗妮卡和斯科特的年幼的孩子。一天晚上，当男孩们听说斯科特威胁要再拿斧头时，兄弟俩对他发动了袭击，残忍地杀死了他。　　谋杀发生后，两兄弟被逮捕，并被指控犯有谋杀罪。内森和雷是分开的，因为他们进入司法系统，并满足各自的法律团队。Ray的团队由辩护律师Kerry Stephens领导，负责Ray在寄养家庭的安置(由于他的年龄和“被照顾的孩子”的身份)，等待他和他的兄弟一起在成人法庭受审。　　克里和她的团队准备了雷的辩护——他们会争辩说，雷在袭击当晚失去了控制，应该被判过失杀人罪而不是谋杀罪。随着审判的开始，他们发现内森的辩护团队已经决定内森不应该作证，让雷独自站在证人席上，为自己的辩护提供证据。

简介：一个自小在公共屋村长大的小伙子飞全（张智霖），胆色过人，智勇双全，他下决心要在黑道闯出自己的天下。凭着自己的实力，他很快就“出位”，金榜提名，成为黑社会十大杰出人物之一，他的行动也渐渐引起了反黑组警员李SIR（李修贤）的注意，他试图挽救还没有陷得太深的飞全，但声势正如日中天的飞全对李SIR的忠告却置若罔闻，认为靠自己便什么都可以解决，可是这种想法终于要了他的性命……

简介：Channel 5和PBS Masterpiece宣布一次性续订《万物生灵》第五季、第六季，均由6集和圣诞特别集组成。

简介：桂治洪“邪”三部曲之首。 　　民国初年，广州西关陈家家道已中落到，只剩陈秀英（恬妮）、其入赘的丈夫杨振宇（王戎）及服侍秀英的丫环。秀英体弱多病，稍一走动便会连咳不止，振宇是赌徒加酒徒，在外一遇不顺心事，便会对秀英及丫环拳打脚踢，丫环无法再忍，别秀英归家。 　　这日秀英迎来自称陈府仆人之女的梁绮华（陈思佳）。见秀英身虚体弱，绮华表示愿留下将她照料，秀英将振宇恶习说明，绮华仍毫无犹豫，秀英感激不尽。对这位新来的丫环，振宇自没给予特殊优待，但绮华也非“善类”，某日她瞅准机会联合秀英将振宇杀害。秀英从此陷入恐慌，终被振宇的“鬼魂”吓死。她至死不知的是，绮华原是振宇的情人，而振宇与绮华亦没想到，秀英竟然“阴魂不散”。

简介：暂无简介，敬请期待