梦想森林

简介：高占武（李亚林 饰）和曹茂林（梁音 饰）不忍看见家乡饱受缺水之苦，提议劈山引水，消息一经传开，就遭到了个性保守的老社长的反对，思想开放的乡党委赵书记明白这是义举，决定使出全力支持。在工作中，曹茂林遇见了回乡女青年孔淑贞（金迪 饰），坠入了情网，他请能言善辩的高占武替自己想孔淑贞表白，没想到遭到了后者无情的拒绝。实际上，高占武也默默的爱慕着孔淑贞，只是他选择将这份感情深深的埋藏在心底。　　一场意外中，孔淑贞身陷险境，所幸得到了高占武的帮助才捡回了一条命，就此之后，高占武在孔淑贞的眼中变得不一般起来。虽然开山行动中遭遇了诸多不顺和意外，但最终，汩汩的山泉还是滋润了村庄里干涸的土地。

简介：《婚礼2008》集合了《疯狂的石头》制作团队，由香港金牌制作人文隽操刀主创。　　老郭（郭涛 饰）是一名婚礼主持，为人风趣、可靠。一次偶然机会遇到了诡计多端的职业“婚托”---小桃（陶虹 饰），并从此爱上了她。因为他的热烈追求，误打误撞多次破坏了小桃好事，把小桃的富商猎物全都吓走。为免夜长梦多，她坦白向痴心的老郭说出自己的骗子身份，怎料老郭依然不肯放弃，不折不挠地求爱求婚。哪想这一切全是小桃的骗局！她深明以一贯旧有手法，难以骗走老郭的房子与现金，无奈苦无对策，只好欲擒故纵。可是，在来来往往地尔虞我诈之间，小桃竟又对老郭发生了真情感。到最后，老郭终得美人归，眼看尘埃落定，老郭却卷款而逃。到底谁是个中高手？这场婚礼，究竟谁在骗谁？哪个是真正大老千？

简介：影片由奥斯卡·罗勒根据由他自己创作的小说《出身》改编成电影。故事的时间跨度从二战结束后的1949年一直延续到80年代，讲述了联邦德国一个家庭祖孙三代人的故事。罗伯特·弗赖塔格(雷纳德·施莱舍)的祖父埃里希(约根·沃格尔)，一个战俘，在逃亡中将自己的妻子托付给另一个女人。罗伯特的父母，作家诺拉和罗尔夫，因一场桃色事件而相互折磨，并为了追求自我实现和自由恋爱而走向毁灭。罗伯特自己，在祖父母充满安全感的家庭和68年代被压抑的生活间成长，一直在艰难地寻找属于自己的幸福。byyakubd.cc

简介：20世纪30年代，20岁的张乃莹（汤唯 饰）逃婚求学，却惨遭抛弃。投靠未婚夫汪恩甲（袁文康 饰）后的张乃莹依然躲不开被抛弃的命运，好在遇到了在报社工作的进步青年萧军（冯绍峰 饰），两人相知相爱。通过萧军张乃莹认识了女编辑白朗（田原 饰）、罗峰（祖峰 饰）夫妻以及聂绀弩（王千源 饰）等文学作家，改名“萧红”后的她得到了鲁迅（王志文 饰）、许广平（丁嘉丽 饰）夫妇的首肯，随后又结识了了胡风（冯雷 饰）、梅志（袁泉 饰）夫妇、蒋锡金（张译 饰）、丁玲（郝蕾 饰）、端木蕻良（朱亚文 饰）等人，在同时代作家的互相鼓励之下，虽然战事不断、颠沛流离，萧红却逐步走向了创作的“黄金时代”。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：飞船坠毁在未知的星球上，飞行员米尔斯（亚当·德赖弗 Adam Driver 饰）发现自己竟被困在了6500万年前的地球上。此时只有一个获救的机会，他和另一位仅有的幸存者寇娅（阿丽亚娜·格林布拉特 Ariana Greenblatt 饰）要在这片充满危险史前生物的未知环境中极限求生。

简介：李世平及相关违法人员受到法律的制裁，受害人还以清白。天网恢恢疏而不漏，正义有可能会迟到，但不会缺席。国家相关部门同样会将事情调查清楚，还以真相给大众。法律从不冤枉好人，但也不会纵容坏人。税务之法，取之于民用之于民，希望广大企业合法纳税规范经营，希望广大民众知法、懂法、守法。

简介：一个年轻人被警察带到一个运动俱乐部，他在这个犯罪现场杀了人。警察只要再现犯罪现场，就可以轻松地结案。可这个杀人凶手和他朋友想杀死被害人的孪生妹妹，因为害怕这个她也像她哥哥一样喝他们的血。所以，他们让她在重现犯罪时扮演她哥哥，并杀掉她。可是，重现的过程没有按任何人既定的方式进行，所有人都忘了他们的角色。

简介：2013年8月14日上午，由北京美洋洋国际传媒有限公司和北京中视美亚国际广告有限公司联合摄制的儿童励志电影《一路芬芳》在日照市举行了隆重的开机仪式。主演侯耀华、徐德亮、钉铛，出品人汪洋、樊亚丽等主创齐聚发布会现场。电影《一路芬芳》剧组由樊浩导演率领的一支艺术高超，技艺精湛,作风过硬优良团队制作。我们深信，在全体演职人员齐心协力下，一定会拍出一部集“思想性、教育性、观赏性”于一体的精品力作，给儿童及全国人民奉献一部感人的，具有文化教育意义的影片。

简介：暂无简介，敬请期待

简介：剧情简介暂缺，敬请期待

简介：经过一学期的相处，学习小组的成员们建立了深厚的友谊。假期过后，小伙伴们回到学校开始了新学期的生活。而全国大赛预选赛也近在眼前，只有取得了全国大赛预选赛的胜利才有资格代表超次元学院参加全国大赛。正当学习小组的成员们为全国大赛预选赛努力时，却来了几位不速之客……