英雄人物

简介：渠立强是高级农艺师、丰县土壤肥料管理站站长、无公害农产品认证办公室主任，共产党员。24年来，他辛勤耕耘在土壤肥料和农技推广领域，成为农民喜爱的“土专家”；罹患肾癌双肾切除，仍奔走在田间地头，指导农民科学种田；靠透析维持生命，依然与时间赛跑，坚持工作。他坚守平凡、呕心沥血、无私奉献的事迹，感动了农民、感动了社会，是基层农技人员的楷模。　　电影《渠立强》将总体展现渠立强为民服务的历程。

简介：交换生李小李（谢承泽 饰）来到日本东京偏僻的“渊野边”留学一年。呆板木讷的他一心想要打工却屡屡碰壁，终于在老同学邱邱（邱天 饰）的帮助下找到一家中华料理店。代理店长管唯（齐溪 饰）收留照顾他、店员青木（牛超 饰）视他为情敌、后厨大师傅老万（陈永忠 饰）小师傅宋哥（宋宁峰 饰）倒都对他爱答不理……李小李的到来打破了地下一层的沉寂、也卷入进每个人的生活之中。时间稍纵即逝。下一个春天到来前、有人留下，有人离开，而那些刚刚羁绊成型的“限定亲情、临时友情、类似爱情”又会何去何从？

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：梅波（袁咏仪 饰）和沈露露（蔡少芬 饰）不仅仅是生活中的好姐妹，也有着成为明星的共同梦想，两人混迹在六十年代的电影圈。一次偶然的演出机会让梅波结识了当时红极一时的编剧秦淮（刘青云 饰），并对这个才华横溢的编剧产生了微妙的情感。秦淮将推出新戏，梅波和沈露露都有机会出演，情 同姐妹的二人成了竞争对手，沈露露却凭借浮夸的演技意外受到老板亲睐，并由此一炮走红，梅波却因此失去信心回乡。秦淮有感而发，以他和梅波的故事为原型创作了一部剧本，后由露露出演。　　归乡的梅波依然无法放弃表演，再次回归，看到了这部处处透着她和秦淮之间故事的电影，无奈此时的秦淮却成了好姐妹露露的男友。　　梅波的表演之路是否能迎来转机？三个人的爱情故事又将如何收场？

简介：在最青春的年纪，创造一次世界级压哨绝杀！高一男生肖宇凡用一次勇敢换来了一生的内向。通过单挑加入了石家庄二中校篮球队，却遭遇重重质疑，队友们误会他挤走曾经的兄弟，高冷学霸、蠢萌校霸轮番上阵“刁难”。但随着训练的碰撞和意外的到来，他们却逐渐成为了彼此不可或缺的伙伴。在学业和梦想之间，他们遇到重重的考验。在一场“一生只有一次”的比赛中，他们能否逆风翻盘，创造自己的奇迹？影片根据一群热血少年的真实逆袭改编，创造奇迹他们只用了零点七秒。

简介：讲述一位失明钢琴家Maria Theresia von Paradis，因为得到某位医师的特别治疗而重获部分视力。但当她得到视力后，上天却夺去她对音乐的敏感度，本来弹得一手出神入化的好钢琴，却因为能见到键盘而令音色变得平庸不堪。 故事根据真人真事改编而成。

简介：德国，二战结束前的四天。一位率领着他的部队占领海边孤儿院的苏联军官。一支在海滩驻扎的纳粹德国国防军部队。一种反常的危险的爱。　　所有人都对战争感到疲惫，只有十三岁的孤儿彼得，想要证明自己是一个英雄，千万百计煽动两支部队。直到他意识到，真正的敌人早就潜伏在其他地方，而他所谓 的敌人，其实是如父亲般的朋友。　　这时划清的不是敌与友之间的界线，而只是善与恶之间的界线。

简介：两个单亲家庭的故事。艾普尔，臭虫（艾普尔的妹妹）和爸爸，原本是一个安静祥和的家庭，因为艾普尔的新男友本以及后来本的单亲妈妈的加入，跟艾普尔的爸爸发生的一些怪异微妙的关系，让处于青春期后期的艾普尔无所适从，导致她想尽全部办法极力阻挠，不过，经过种种艰难，他们最终还是幸福的生活了在一起。

简介：1840年鸦片战争爆发，英军侵略军攻破广州，饱经鸦片毒害的百姓活在至暗时刻。萧岗士绅何玉成（严屹宽饰）受关天培之托嘱，立志寻找时机保卫广州城。 故事从三元里村武馆教头刘三义（刘秋实饰）和其兄弟韦绍光（孙昊饰）企图烧毁十三行码头的洋商趸船开始... 影片质朴还原了三元里抗英这段鲜为人知的史实，用悲壮美学与历史质感交织的视听讲述了鸦片馆血案的个人复仇，到牛栏岗生死战的民族抗争。致敬民族先辈，当外侮侵犯时，每一个挺身而出的小人物，都是照亮民族暗夜的英雄。

简介：北漂青年陆恒做着送外卖的工作，但炙热的内心怀揣着职业拳手的梦想。当一次去拳馆送外卖后，改变了他的命运。他得到了姚馆长的青睐，强化训练和残酷的车轮赛制笼罩在即将到来的”王牌格斗杯“现场，虽危机四伏，但陆恒在女友和朋友的鼓励下勇敢地走上了擂台。这一次，他不再为自己而战……

简介：2017年播出的《黑色皮革手册》讲述从大型银行侵吞1亿8千万公款，并以记载借名账户的“黑色皮革手册”为武器，爬上银座顶点的元子，在最后一集中跌落神坛并失去一切。本集SP剧情发生在3年后，围绕元子刑满释放后开始的新生活展开。以古都金泽为舞台，讲述她再次以顶点为目标不择手段往上爬的故事。

简介：少女在马戏团里迷上了帅气的空中飞人，两人双双跌入太阳马戏团的奇幻世界，开始了一段奇妙的旅程。他们置身于如梦幻遥远国度美轮美奂的场景中，穿越不同的马戏世界，历经重重的困难，寻找彼此。