马尔多罗行动

简介：脱贫攻坚倒计时之前，乡党委副书记赵琳主动请缨来兼职村第一书记。同时吉吉何斌来到火普村任第一书记，他们从欢喜冤家到相互帮助，最终两村都如期完成脱贫任务，他们的感情也瓜熟蒂落。

简介：古斯塔夫（利诺·文图拉 Lino Ventura 饰）是一位资历老道的黑帮分子，在锒铛入狱之后，他挖空心思，终于越狱成功。之后，古斯塔夫投奔了住在巴黎的妹妹马努奇（Christine Fabréga 饰），希望能够得到她的庇护。　　古斯塔夫早已经厌倦了帮派里的明争暗斗，因此，他决定伙同一帮亡命之徒，再干最后一票，凑足了“养老金”，就此金盆洗手，然而，在黑道里常年浸淫的他，真的会这么容易的就改头换面吗？警探布罗特（保罗·默里斯 Paul Meurisse 饰）就如同一只雄鹰追随猎物那样的紧紧跟在古斯塔夫的身后，他不要金钱，不要权利，唯一的目的，就是有朝一日，能够找到机会，将古斯塔夫捉拿归案。

简介：泰伦斯·马力克继1998年《细细的红线》后，将再次执导二战题材影片。新片取材自真实历史事件，讲述奥地利士兵弗兰茨·杰格斯泰德(奧古斯特·迪赫饰)因在二战时期拒绝为纳粹德国而战，最终被判死刑。据称这将是一部与《细细的红线》风格完全不同的二战影片。

简介：暴风雪夜，护林员桑杰（金巴饰）的小屋突然闯进了一位自称是森林公安的持枪男子（王铮饰），埋伏并抓捕了疑似盗猎接头人的村民根宝（更旦饰），惊魂未定间，又一位男子（达杰丁增饰）持枪闯入，声称他才是真的森林公安……                                                                    是谁开了枪？谁又在说谎？这场荒野逃杀还暗藏哪些秘密？真相扑朔迷离，一时杀机四起，而屋外始终有一双眼睛在冰冷地注视着这一切……                                                                    影片改编自藏族作家江洋才让的同名短篇小说。

简介：在某个神秘的夜晚，可怕的孢子突然降临地球，它们钻进人类的身体，从而将其据为己有，并且将人类作为猎杀吞食的目标。高中生泉新一（染谷将太 饰）也险些被孢子控制大脑，结果这个待在右手中寄生兽“小右”（阿部隆史 饰）便与之展开了奇妙的共存。某天，学校里来了位新老师田宫良子（深津绘里 饰），她和小右都敏锐地察觉到对方的存在。田宫将A（池内万作 饰）和岛田秀雄（东出昌大 饰）介绍给小右，并邀请他加入全部由寄生兽组成的网络以谋求发展。在此期间，新一和小右遭到A的伏击，而相依为命的母亲（余贵美子 饰）也不慎沦为寄生兽的俘虏。为了保护最重要的人，新一只有向穷凶极恶的寄生兽展开攻击……　　本片根据岩明均的同名漫画改编。

简介：在上世纪90年代，电话和电脑完全未普及的时候，一个男生（黄又南 饰）通过电台寻找他一见钟情的王家欣。而王家欣这个名字很普遍，他找到了其中的一个“王家欣”（吴千语饰），但却不并非他的真命天女。“王家欣”觉得男生大海捞针是很傻很天真的事情，但逐渐被其真诚打动，更发展处一段感情。　　该片来自导演刘伟恒的原创故事，讲述的是一个20世纪90年代发生在香港的一个男主角寻找一个叫王家欣的女生的故事。2015年，黄又南及吴千语凭借该片获得美国加州独立电影节最佳男女主角奖。

简介：The definitive biography of the group's fall from grace after they made it to SHEA Stadium USA and were on their way being a smashing success in the world

简介：朱莉3岁的小女儿在15年前失踪了，这么多年来，朱莉一直陷于丧女之痛中无法自拔。无论丈夫或儿子怎么劝慰，她仍旧无动于衷，在自己的世界里独自悲伤，整个家庭也因此逐渐散掉了。直到有一天，一个有着复杂背景的年轻女人走进了朱莉的生活，在相处过程中，朱莉内心的伤痛被她慢慢化解，朱莉发现这个女人有可能就是当初自己失踪的女儿……

简介：魔卡娱乐是一家造星公司，总裁哈莉从一批天资非凡的女星里面选出七位，组成性感有活力的偶像组合。然而她们在排练的过程中产生了很多矛盾，哈莉寻求一位大师的帮助，大师拿出一个古代舞曲，交由她们演绎，并说这个曲子可以让他们成为一个真正的Team。有一天，七人在排练古代舞曲的时候，竟然穿越到上古时代，成为真正的七仙女。在小山村里，最小的仙女与村里的牛郎董永相爱。玉帝得知后派二郎神抓她们回天宫问罪，最后被二人的真爱感动，玉帝放弃对她们的追捕，同意七仙女与董永的婚事，但她们只能一年见一面。七仙女经历了种种前所未闻的故事，不禁怀念起真正的自己，她们相约再一次通过古代舞曲穿越回现代。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：入围2020年釜山电影节当代韩国电影单元

简介：The movie is based on the suspense short film nominated for the Golden Méliès to the Best European Fantastic Short Film, winner of more than 30 awards and screened by more than 200 film festivals. It was defined by the critics as a cult short film.