望月2012

简介：俄罗斯黑帮头目伊琳娜（凯特·温丝莱特 Kate Winslet 饰）唆使一批腐败的警察进行了一起完美的银行抢劫行动，由于几人均身处警界内部，反侦察能力极强，因此想要查出案件的真相几乎是不可能的事情。然而，几人并不知道的是，真正的威胁并非来自警方的调查，而是有人正在虎视眈眈的盯着他们所得到的巨额报酬。　　此役之后，伊琳娜野心不减，殊不知几名警察在巨大的压力之下早已经矛盾重重，濒临崩溃的边缘。其中之一马库斯（安东尼·麦凯 Anthony Mackie 饰）不仅要面对内心的挣扎，还要应付那个初出茅庐正义感爆棚的菜鸟搭档克里斯（卡西·阿弗莱克 Casey Affleck 饰），敏锐的克里斯似乎已经开始察觉自己身边正在发生的事情。

简介：同治皇帝病重，李莲英（姜文 饰）力荐慈禧（刘晓庆 饰）二次垂帘听政，不久同治身亡，慈禧立载湉为帝，继续把持朝政。1882年，李莲英陪同醇亲王巡视北洋水师，返京后却遭都察院纠弹，被革职处理，在慈禧的主张下，李莲英官复后宫大总管原职。李莲英为使侄女有个好归宿，将其带入宫中， 岂料只落得奴婢下场，他心中充满愧疚。光绪日渐成长，不甘受慈禧摆布，试图从慈禧手中夺权却被强力镇压，李莲英畏惧慈禧淫威，奉命将珍妃处死。不久八国联军入侵，清军连战连败，李莲英随慈禧微服出逃，途中在农户家中落脚，农妇的一席话，令李莲英与慈禧若有所悟……

简介：没落书生顾省斋（石隽 饰）在小镇经营字画铺“代写书信春联”过活，奉养家中老母，偶然结识了家附近废屯堡新搬来的杨之云（徐枫 饰），与其暗生情愫。恰逢东厂人士欧阳年（田鹏 饰）前来打探，其与附近算命瞎子（白鹰 饰）动手，被顾生与其母遇见，遂将受伤的算命瞎子就近带到杨之云处， 从而得知他们的真正身份——因弹劾宦官魏忠贤而被杖毙的左副都御史杨涟之女杨慧贞；保卫忠良之后的石门樵将军。因二人都被朝廷通缉，东厂追杀，顾生就此在屯堡设下重重计谋，又得高僧慧圆（乔宏 饰）帮助，以期摆脱东厂追兵，逃出生天。　　电影根据蒲松龄《聊斋志异》中《侠女》一篇改编。

简介：以男女主人公为主的高中校园生活日常，是少有的动漫风格喜剧。司马靖有两个死党，分别是萧正、鲁超然，三人在一起天马行空，搞怪逗笑的校园生活。本片将以轻松搞笑的方式，诠释五段高中校园生活日常。

简介：Would you fall in love with a person whose voice you haven't heard for months, whose face you haven't touched, you can't smell, you don't even have the chance to pass by the same street, you can't even be in the same photo, who is miles away from you, even by seas, islands and cities

简介：村里闹鸡瘟，而母亲又怀有身孕，去镇上赶集卖掉八只鸡的“美差”，就落到了8岁的宁小山身上。熟悉的山间小路、并不熟络的镇上居民，稚嫩的小山能卖掉八只鸡吗？　　其间，他先后遇到“疯婆子”葛红、卖肉贩子、嘲笑小山的非主流以及追着他不放的一条狗，面对“整个世界”的敌意，8岁的小山该如何在成长过程中去了解这个世界？尤其是在偷偷跑去电影院看电影后，小山的八只鸡丢了，作为全家生活依靠的八只鸡，小山回家该如何向母亲交差？而他的父亲又去了哪里？

简介：马德瑞（巫刚 饰）是八路军的高级将领，骁勇善战，义薄云天，自然受到了敌人的重点攻击，最终，马德瑞离奇死亡，尸体下落不明，而他所带领的连队队员所剩无几，马德瑞之死成为了历史悬案。　　一晃眼十一年过去，马德瑞的遗体竟然奇迹般的重见天日，然而，令大家没有想到的是，死者头部中弹，系近距离遭到射击，这也就意味着，当年杀死马德瑞的并非日本人，而正是离他最近，他最信任的某个人。极富正义感的警卫队长王树（董勇 饰）、胆小如鼠贪生怕死的宋伟（张烜赫 饰）、成天笑呵呵的警卫员杨双喜（李思博 饰）和五大三粗的骆宵（刘弈 饰），在这些幸存者中，究竟有没有当年那个冷酷无情的杀手呢？

简介：出品单位 临邑县委宣传部　　本片以临邑县临南镇育才小学校长赵同花为原型，讲述了她扎根乡村教育，三十年如一日，兢兢业业，无私奉献感人故事。为了让辍学的孩子继续上学，她走村入户，挨家挨户登门劝说，甚至帮学生家长干活以博得其感动。靠着执著的信念，她使一个个失学儿童重返学校……

简介：刘立立（杨丞琳 饰）与王玫（黄姵嘉 饰），是一对感情深厚的姐妹淘，同时也都是董今狐（是元介 饰）的妻子，在这个大家庭里，刘立立选择终身不育子，对元配王玫的子女视为己出，两人共同撑持起这个家长达50余年⋯⋯直到刘立立病倒，一直守护着她的王玫，对于一同守护着这个家，如今却在病榻上的好姐妹，她下了一个决定。　　周美玲导演继电视电影《阿青，回家了》之后，改编琼瑶御用导演的真人真事，邀请杨丞琳和黄姵嘉两位金钟视后，以及近年演技备受肯定的是元介共同演出，诠释这段横跨超过半世纪，刻骨铭心又深情执着的动人爱恋。

简介：Cate Blanchett 将在在圣丹斯首映的电影 “Manifesto” 中扮演13个不同的角色。

简介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version　　The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)　　From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

简介：口头禅“我去”，铁钉皮大衣、宽边牛仔帽、内藏深厚法力、外挂各种法器、专业捉妖、业余撩妹、出身道家、投身魔界的捉妖师“萌叔”开着挎子（摩托）带着魔界公主“芊儿”奔驰在保卫世界和平、人间安宁的旅途中。　　“萌叔”最近一直没法愉快地捉妖：捉妖GPRS导航和妖信摇一摇经常失灵错乱暂且不论；“芊儿”公主最近常犯花痴、飙鼻血、无法安心工作也先罢了；师弟各种半路抢功、业绩作假也不往心里去了；关键是这妖是个一根筋，找不到她的头发就各种为害人间，当然，对于阅“妖”无数、法力没谱的萌叔，其实“妖”之常情还是尽可理解啦；可是最让萌叔蒙圈的，是人——这妖捉得已经够凌乱了，怎么路遇的人类全都各种比他还要奇葩都比中二呢，这世界是怎么啦，大家到底几个意思啊……