456
10.0

万家乐

导演:
李冠章
主演:
江明,蒋光超,左艳蓉,何玉华,葛小宝,江帆,李冠章,上官亮,吴燕
别名:
未知
10.0
456人评分
国语
语言
未知
上映时间
未知
片长
简介:
电影讲述了一个大家庭的令人啼笑皆非的故事。由于每个人的想法不同,这个大家族中间也发生过分歧和矛盾。但在最后,他们发现最亲的还是自己的亲人。
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简介:根据徐贵祥同名小说改编。 铁匠的儿子石平阳带着父亲的嘱托参军来到炮兵部队。他的一股冲劲,受到营长庄必川的喜爱,老班长李四虎更喜欢石平阳不服输的劲头。李四虎是技术尖子,他对新战士训练十分严格,新战士进步很快。他把石平阳视作接班人,要在自己退伍之前把经验全部传授给石平阳,甚至以故意装病,让石平阳独立完成训练课目。石平阳进步很快,年终还荣立了三等功。和他一起入伍的女兵张媚对他也另眼看待。教导队招收骨干,进教导队就能报考军校,成为军官。营长担心比武缺了石平阳影响成绩,因此改派与石平阳一同入伍的王北风去了教导队。机会得而复失,石平阳有些想不通。父亲去世了,指导员让他回家料理,但他走到半路,想起父亲的嘱托,毅然返回连队。李四虎复员了,石平阳接任班长,他把老班长的好传统全部继承下来,爱兵、爱炮、爱部队,技术精益求精。同时入伍的王北风和张媚进了军校,石平阳仍然当班长。排长调走了,石平阳任代理排长,这时,他入伍已有八年。团里为了留住他,让他准备报考军校。就在这时,新战士刘发展一封虽事出有因但严重失实的告状信,使他又失去了上军校的机会。石平阳要复员了,副团长庄必川舍不得他离开,从车站把他接回,团党委特别决定把他留下。石平阳又回到排里,他对刘发展更严格、更耐心训练和要求,使刘发展深感内疚。几年后,参谋王北风到部队检查工作,见到石平阳仍是上士,不免生出许多感触。在集团军的军事演习中,石平阳指挥火炮群的准确射击,令首长和指挥员们赞叹不已。石平阳多年操纵的火炮由新式火炮取代了,他虽有些恋恋不舍,但他立即和战友们开始学习掌握新的火炮,迎接新的挑战。不久,石平阳被破格提拔为中尉连长。
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更新至HD
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简介:The film delves into the unexplored theme of the displacement of the Rusyn, an East Slavic ethnic group from the Eastern Carpathians in Central Europe, during the construction of the Starina reservoir in the 1980s. Set against this tumultuous backdrop, Flood intertwines personal and collective stories, bringing to the forefront the often-overlooked plight of the Rusyn minority in Slovakia. Gonda's film speaks to minorities, individuals who have experienced displacement and young adults through its protagonist, Mara. The story unfolds in a small village, threatened by an impending flood due to the construction of the reservoir. Mara, a young woman yearning for city life and an education, is bound to her rural roots by her strict father, a Rusyn farmer, who refuses to relinquish his land and legacy despite the looming end of their world. Flood explores the themes of adolescence, uprooting and the sacrifice of personal desires for the greater good. The film seeks to elicit reflections on one's roots and the concept of home, as well as the challenges of navigating a disappearing culture and heritage. The Starina reservoir's construction, which lasted from 1981-1988, led to the largest displacement in Slovak history. Gonda's personal connection to the region, having spent his childhood summers there, adds a layer of authenticity and depth to the narrative. The film not only recounts the physical destruction of the seven Rusyn villages, but also captures the emotional and cultural impact of this event on the community. The director aims to present a deeply researched, emotive and intimate story as well as diving into the complex dynamics between personal identity, community ties and the inexorable march of progress. The movie is poised to engage and challenge audiences, fostering a deeper understanding of the often-painful interplay between tradition and modernity.
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