走出西柏坡

简介：A 15-year-old girl, Zarmina, sold for a pittance (and a few cows!) by her father to an old man. Willing to do anything to save her daughter, her mother gives her in marriage to a younger man living in exile in Canada. But this freedom comes at a price. In exchange, Zarmina will have to give her own daughter in marriage when she turns 15.

简介：Leo（查宁·塔图姆 Channing Tatum 饰演）和Paige（瑞秋·麦克亚当斯 Rachel McAdams）是一对恩爱的小夫妻。在一个寒冷的冬天，一场车祸使Paige失去了记忆，醒来的她忘记了她曾经深爱的Leo。　　同样深爱Paige的Leo不愿意放弃，努力通过各种方法试图恢复Paige的记忆。他先是说服Paige的父母，让她继续和他在一起生活。同时，他通过各种细节来帮助她回忆。他们的第一次见面，他们最爱去的一家餐馆，还有她的艺术创作。然而失忆了的Paige也失去了创作的灵感，准备像以前一样回去学习法律。更糟糕的是，Paige似乎也准备回到前男友Jeremy（斯科特·斯比德曼 Scott Speedman 饰）的怀抱里。一次次遭遇挫折的Leo似乎看不到一丝让Paige重新爱上他的希望。故事是否也会向悲剧的结局发展？Paige是否又将像她遇见Leo之前一样，放弃艺术去学习她根本不喜欢的法律？在又一个寒冷的冬夜，Leo和Paige的再一次相遇将告诉我们答案。　　影片改编自真实的故事。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：亮（吉冈秀隆饰）与家里的父亲发生了冲突，离家旅行到一个小镇，遇到了一家影院的经理活男（西田敏行饰），并留了下来工作，在影院工作的还有放映师常先生（田中邦卫饰），并认识了开咖啡店的八重子（田中裕子饰）。活男一直喜欢八重子，可惜后来终未能如愿，八重子离开了小镇。

简介：《波霸总动员》是香港的一部电影。讲述的是一个发生在香港警校的喜剧片，一群年轻的女子，在执行任务前要进行一系列的魔鬼训练，在这期间发生了一系列搞笑事。

简介：埃塞俄比亚电影《羊羔》是一部处女作，讲述一个男孩和他的宠物羊被去城市里找工作的父亲寄养在亲戚家，勾勒出埃塞俄比亚乡村人民的生活状态。

简介：24岁的吉林青年宋学文在一家化建公司的工地工作，某天在工地上捡到一条类似钥匙链的金属小链子，并随手放进了口袋。因为这一不经意的举动，使他在接下来的两年中动了七次手术，先后被截去了双腿和左前臂,连仅存的右手也被截去了四个手指。宋学文后来得知，他捡到的那条链子叫伽玛源，具有强力的核辐射，是前一天晚上从一台带有放射性的仪器中不慎掉落下来的。　　出院后，由于意识到自己成了一个四肢残缺并完全失去自理能力的废人，宋学文遭受着精神上极大的痛苦。他不愿出门，害怕别人看他的眼光，就算外出，也总是将自己躲藏在伞下。他唯一的心愿是能够装上假肢再次站起来，可公司却以种种理由拒绝他的要求，加上假肢的巨额费用和家境的贫寒使他不再对生活抱有希望。　　就在他濒临绝望的时候，一个随意拨打出去的电话，使善良的女孩杨光走进了他的生活，让宋学文终于有了欢乐。在逐渐加深的交往过程中，杨光发现了宋学文严重的自卑心态，杨光开始在精神上不断帮助宋学文，使他慢慢学会自立，并让他对人生重新鼓起了勇气。　　为了向公司索取应得的赔偿而能够使宋学文装上假肢，杨光陪同他前往北京向总公司反映情况。两个年轻人来到了偌大的北京城，杨光每天推着轮椅上的宋学文步行从一个部门走到另一个部门，却接二连三地碰钉子，他们的日子也越过越窘迫。　　然而艰苦的环境却没有让他们沮丧，两人一直沉浸在快乐之中，几平米的小屋，经常充满了他们的笑声。周围人给予的帮助，也使他们感受到人情温暖。生活中的困苦，都因为他们的乐观而变得美好，两人的感情也在同甘共苦之中不知不觉地加深。　　总公司处还没有得到结果，两人却遭遇了一场骗局。同时分公司也派人来到北京，欲中止他们继续逗留在北京，使得二人被迫逃离原住处，并决定依靠法律解决问题。为了筹措庞大的律师费，两人不得不开始想办法打工赚钱。宋学文为了减轻杨光的负担，瞒着杨光偷偷去大街乞讨，却被杨光发现，二人起了争执，宋学文也因乞讨而发生了意外。　　几经周折之后，两人决定回吉林老家。宋学文在杨光的不断鼓励之下，已完全摆脱了残疾人的自卑，并找到了站起来的真正含义。　　本片根据宋学文的真实经历改编，并由他本人亲自出演。

简介：Maden, 17 years old. Summer holidays on the island. She is waiting for the mail. Between her room

简介：讲述了一个心地善良一心想要维护世界和平的小捉妖师张楚源瞒着师傅下山历练遇见偏执捉妖师太仓，经历了和小狗妖的感情纠葛，最后封印心魔拯救世界的故事。

简介：农民出身的陶艺师吴国庆在瓷都景德镇经过几年的奋斗，物质生活与城里人相比，已不相上下，他和妻子商定把在乡下读书的女儿吴小田接到城里。为避免孩子受到歧视，老师和家长善意隐瞒了她从农村来的真相。这样做反而给年幼的小田增加了心理负担。　　在沉重的心理压力下，小田甚至想逃回农村老家……为了安慰小田，父亲帮小田制作了一件构思新颖的陶艺作品，老师在不知情的情况下，推举小田代表同学们参加将举办的全校陶艺大赛，小田因此陷入深深的矛盾和痛苦之中……

简介：四处流浪的青年平野信（永瀬正敏 饰）在某地邂逅风韵犹存的少妇土屋名美（大竹しのぶ 饰），平野为其所吸引，于是尾随来到一家商铺门前。这是一家小型的房屋中介所，由名美及其丈夫土屋英树（室田日出男 饰）共同经营。执著的平野为了接近名美，于是请求英树留在这里工作。　　此后的日子里，两人的关系平平淡淡，波澜不惊。某个夏日的雨天，名美到一处房产寻找平野，结果两人发生关系，并险些被英树撞破。数日后，房屋中介所进行假日旅行，喝得醉醺醺英树四处寻找妻子，最终在温泉浴场看见平野和名美一丝不挂地泡在池中洗澡。英树恼羞成怒，赶走了平野。自此之后，平野蜗居在河边的一个小工厂里工作，当他和名美再次相遇时，心中已对英树产生了杀意……

简介：诸国割据、战乱频生的五代十国。　　后唐被后燕所灭，公主（李嘉欣）在柳若雄（李子雄）及赛小菁（杨丽菁）夫妇保护下逃亡，其父临终前，将一支藏有宝藏秘密的玉箫相交，公主找寻到宝藏便可复国。路上三人走散。公主误入夏侯谷，邂逅原是后晋太子的夏侯瑭（刘锡明），他正被姑姑（惠英红）所逼，苦练可以复国的独孤九剑，他的灭国仇敌正是公主。但因没有说破身份，两人反在后者的几番舍命相救生出真爱。柳若雄则被燕国师（刘洵）所擒，后者以利益作诱饵，令他生出叛逆之心。