谍杀风暴

简介：故事发生在旧中国的上海。柴益良（汤镇宗 饰）携新娘杜雯（郑爽 饰）奉家父柴元济（奇梦石 饰）之命，寻找苏州木牍镇的穆彦（汤镇宗 饰），却惨遭他人杀害。穆彦凭自己长相酷似柴益良，与杜雯合谋打入柴家出任常务董事。穆彦追求女秘书李琳（夏菁 饰），却被昔日兄弟蒋三（白永成 饰）认出假冒身份，并借机敲诈，不料死于非命。警方介入后多方搜集证据，以求尽快让穆彦现原形。私家侦探胡波（廉叔良 饰）受穆彦聘用，请他查清近来频频打匿名电话骚扰自己的人。明查暗访后，胡波发现老爷的贴身仆人阿松（郭伟琳 饰）跟一个叫奚美凤（蔡丽君 饰）的女人有神秘接触，而奚又与其他男人来往密切，穆彦与杜雯设计引蛇出洞......

简介：2087年，AI公司瀚海用“最优路径”接管人类社会，任何不服从的人都会被系统抹除。执法者林墨终于抓回叛逃的女儿林跃，以为能用“意识同步”救她一命，却在亲手把她送上手术台后发现：老板要的从来不是拯救，而是把她改造成终极兵器。

简介：

武周时期，御史中丞胡显德一家被杀，武则天命狄仁杰前往调查。狄仁杰调查发现，原本老实本分的胡显德离奇般参与了一场大案，狄仁杰不禁生疑，察觉此案可能是一个案中案。狄仁杰查案过程中，不断遇见各种诡异事件，案件相关人员也接连离奇死亡。伴随着阴兵索命，案件一筹莫展，狄仁杰被巨大的阴谋笼罩……

简介：1973年智利政变，德国夫妇丹尼尔被独裁者皮诺切特的秘密警察绑架，莉娜跟踪他们到一个封闭社区Colonia Dignidad，智利军政府将那里作为刑讯和秘密人体试验的基地，由前纳粹分子保罗·费舍尔统领，莉娜假意加入他们，以伺机救出丹尼尔。

简介：龙师傅从小有一个梦想，就是成为像李小龙一样的功夫巨星，将功夫发扬光大。长大后他来到乌城在城中村开了一个武馆，武馆一个学员也招不到，生活窘迫，为了维持生计，他和好友波波来到点钻厂做手工，在这里遇到了对爱情固执的小青。包工头的卑劣行径，龙师傅的行侠仗义，促成了两人的爱情，他们也因此丢了工作。生活的艰辛并没有磨灭龙师傅心中的梦想，他和波波拼命打工赚钱，终于买了一部DV机，开始拍摄他们的功夫小电影，准备向他们的梦想迈进。事与愿违，梦想还没有向他们招手，生活的窘迫不得不让他们重新开始找工作。他们来到三豪公司，如愿以偿的成了牛总的保镖，但是慢慢发现，所谓的保镖其实就老板的保姆兼打手，这跟龙师傅的梦想和武德背道而驰，龙师傅毅然决定离开。屋漏偏逢连夜雨，空怀梦想的龙师傅遭到小青姐姐阿娇的奚落，直言他是一个吃软饭的渣男，龙师傅决定和小青分手。痛定思痛，在好友波波点拨之下，在生活、爱情、和梦想之间，龙师傅做出了自己的抉择。龙师傅的遭遇和对梦想的执着，感染了雷哥，仿佛龙师傅就是年轻时候的自己，他们决定一起拍电影，探寻功夫的真谛。功夫不是打打杀杀，也不是高低之争，功夫是一种艺术，一种不屈的精神……

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：Soo-ha leaves the city and goes to the roadside rest stop inherited from her father. The rest stop, however, is losing business as much as Soo-ha’s life is losing vitality. Because of a new road, few people pass this way and there are two employees who don’t really fit in. Even worse, her brother comes and passes his partial ownership to her and leaves his daughter behind. As Soo-ha gradually wears down, a South American band ‘Kawsay’ drops by the rest stop in the middle of their trip. Soo-ha welcomes them thinking they might attract more visitors.

简介：明末年间，各地群雄四起，各地封王虽然世袭爵位，但心中仍有篡权夺位之心。番王们为了壮大自己，甚至结盟绿林中人，不断有能人义士涌现出来。皇帝曾派出锦衣卫秘密调查各地番王之动静，却一无所获。同从一个师父，性格和人品却大不相同，一个心狠手辣，，一个忠厚善良。故事也就从这二人拉开了序幕。。通过本片让人明白了环境能够成长一个人，但是邪恶永远战胜不了正义，胜利也会永远属于正义。人生活的环境固然重要，但是不向命运屈服，勿忘初心，做一个正直善良的人才是最主要的。身边的人也会因为你的善良而感染，放下仇恨，接受光明和正义。故事中将精彩绝伦的打斗场面再次升华，扑朔迷离的身世更能演绎出人情冷暖。

简介：剧情简介暂缺，敬请期待

简介：《乘风》讲述4名高中生由沉迷电子游戏、陷入对女神林语晴（欧阳佳饰）的暗恋，最终经历了青春的迷惘、挣扎，各自找到青春的意义走向不同人生的故事。主角刘柏豪和他的好友得知通过赢得他们常玩的赛车电竞游戏，就有机会成为游戏公司赛车队的储备赛车手。自此这个热血青年心怀梦想，他的理想是子承父志成为一名优秀的赛车手，无所畏惧地冲过方格旗。但由于父亲心中的陈年阴霾，并不赞成刘柏豪投身赛车行业。他顶着压力前行，面对好友受欺挺身，一路走来依然坚持梦想。最终刘柏豪的执着感动了父亲，得到了父亲支持的他更加努力，在大家的帮助下，刘柏豪凭借自己的天赋和努力，如愿加入赛车队，开启了自己的梦想大门。

简介：艾萨克（利卡多·特雷帕 Ricardo Trepa 饰）是一名经验丰富的摄影师，一天，他接到了一通神秘的电话，电话那头的，是当地十分有名的富豪之家，他们向艾萨克提出了一个奇怪的请求，那就是替家中早逝的小女儿安杰丽卡（碧拉尔·洛佩兹·德·阿亚拉 Pilar López de Ayala 饰）拍摄一副肖像。　　艾萨克接受了这个充满了不详气息的委托，然而，当他亲眼见到安杰丽卡之时，却立刻被其完美无缺的样貌所俘获，他根本就不相信，眼前这个双眼紧闭一脸安详的的少女早已经香消玉损。之后，更为诡异的事情发生了，艾萨克镜头之中的安杰丽卡复活了，她化身成为不散的魂魄，日日缠绕追随着艾萨克。

简介：當他們愛情陷入危機，命運女神卻吹來生機…　　亞瑟和他的男友亞歷山德羅已同居15年，儘管當年天雷勾動地火的愛情正逐漸淡去，但當亞歷山德羅公然在友人婚宴上偷吃，依然讓亞瑟怒不可抑。眼看這段曾經人人稱羨的愛情即將告吹，卻因為閨蜜安娜瑪莉亞的突然造訪，再度吹起了一絲希望…。　　　　在「幸運女神博物館」工作的安娜瑪莉亞，和亞歷山德羅曾是一對戀人，卻主動將男友「讓賢」給亞瑟，三人從此成為無話不談的親暱好友。但當安娜瑪莉亞罹患重症，不得不將一對可愛子女託付給他們照顧時，突如其來「為人父」的重責大任，卻為他們帶來空前的壓力，他們該重修舊好、齊力照顧兩個孩子？抑或該在分手前、婉拒好友這項生命付託？　　　　安娜瑪莉亞的突然離去，終於迫使亞瑟和亞歷山德羅、必須面對這個問題。就在他們決定將這對孩子，交還給安娜瑪莉亞久未聯絡的母親時，卻意外發現了一個驚天秘密…。「幸運女神」能讓彼此相愛的人在一起，曾受眷顧的亞瑟與亞歷山德羅，能和好如初繼續相愛嗎？而安娜瑪莉亞遺愛給他們的這對可愛孩子，又可能如願跟他們永遠在一起嗎？